ANTIGONE Production The setting of the Antigone[->0], as in the case of most Grecian tragedies, does not require a change of scene. Throughout the athletics the skene with at least one door represents the facade of the imperial palace of Thebes. Even when the poet shifts the earshot's attention to events in the free and the cave in which Antigone was entombed, there is no shift of scene. These events argon report by minor characters (here, a guard and a character specifically called a messenger) rather than enacted before the audience (245-277;1192-1243).1 Interior action is also reported by a messenger to characters on-stage for the benefit of the audience. The suicide of Eurydice, which takes place inside the palace, is reported to Creon[->1] (and to the audience) by a second messenger (1279-1318).2 The messenger destination eliminates the need for scene changes, which, due to the limited resources of the ancient theater, would acquire been difficult and awkward. Sophocles, like Aeschylus and Euripides, made a virtue of the demand of this convention of the ancient theater by writing luxuriant messenger speeches which provide a vivid word catch of the offstage action. 1The numbers argon references to lines in the Antigone. All quotations from the Antigone are translated by the author. 2During the report of this messenger the body of Eurydice probably was displayed on the ekkyklema (1295).
Exercise for Reading Comprehension and Interpretation Prologue (1-99) - Antigone and Ismene The play opens with the prologue consisting of dialogue amongst Antigone and her babe Ismene[->2]. What is the dramatic purpose of the prologue? What problem does Antigone report to her sister (21 ff.)? What does Antigone intend to do? What is Ismene's reaction to this intention (49-68)? What is Ismene's view of the blood between men and women (61-62)? Briefly analyze the characterization of these twain women in the prologue. What dramatic purpose does the character of Ismene serve?...
Exercise for Reading Comprehension and Interpretation Prologue (1-99) - Antigone and Ismene The play opens with the prologue consisting of dialogue amongst Antigone and her babe Ismene[->2]. What is the dramatic purpose of the prologue? What problem does Antigone report to her sister (21 ff.)? What does Antigone intend to do? What is Ismene's reaction to this intention (49-68)? What is Ismene's view of the blood between men and women (61-62)? Briefly analyze the characterization of these twain women in the prologue. What dramatic purpose does the character of Ismene serve?...
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