Scenes From A Courtesan's Life

Yet Balzac is also fit to make such a transformation of character among the two novels because in Father Goriot Vautrin is in disguise. Literally the maitre d' criminal we come to hold out is an illusion, a sham, just aboutone who does non exist as we think he does. At the destination of the novel when Vautrin is apprehended by police at the embarkment house, we be taken aback by his red hair, tattoos, and inauspicious body. When we turn to Scenes from a Courtesan's Life, we collide with that the manipulative advice on faith devoted to Eugene by Vautrin in Father Goriot is similar to the pietism espoused by Jacques Collin. We see that Jacques is also a character who some people think is a sham, another in disguise. As the lawyer describes him, "Realize, my dear, that this Jacques Collin is a giant of cunning, of dissimulation, of deceit. He is - what shall I separate? - the Cromwell of the hulks! - I never met such a scoundrel; he almost took me in. - But in examining a criminal, a trivial end of thread leads you to find a ball, is a pool stick to the investigati

on of the darkest consciences and obscurest facts" (Balzac Ch. IV).

Therefore, we can see that the biggest difference between the two characters has little to do with moral philosophy or worldview. It also has little to do with them being their authorized selves to others.

However, in another technique that shows Balzac had a firm handgrip on human nature, the author basically makes the characters so contrastive in the way that other people react to them. speckle we see that both could be said to be like in many ways, one is perceived as a criminal and has little respect while the other is given a great deal of respect as the headman of the Surrete. This is the way Balzac most distinguishes the two characters even though they are very similar in so many others. For instance, in Father Goriot when Vautrin is nettly arrested and the police have seized all his possessions, his final words are "Vous ne saurez rien" (you will not know anything) (Balzac 1129). In other words, when explanations are perhaps most in order none are forthcoming from Vautrin. In Scenes from a Courtesan's Life, we see that the lawyer basically says this exact qualit
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