Faulkner and McCullers
Jeremy Bentham and John Stuart Mill once had an idea to take something as complicated as ethics and apply a luxurious calculus as their method to determine right from wrong. They would last base this determination on a measured layer of pleasure versus pain received from any action. Though a complicated theory, the simple matter that it rested on a complex series of formulas and calculations to determine the greatest good, proved miniature more than the simple fact that human nature, and human beings in general, standnot be defined by any hard and turbulent laws. This being said, the American Heritage Dictionary of the English expression defines stereotype as a conventional, formulaic, and oversimplified conception, opinion or image, which skill help one to understand the problems that being labeled can create. In fact, the idea of the mammy has existed for some time; institutionalised in America through many authors, advertisements and ignorant mint who have repeatedly utilized this image for profit or power in many forms. It can be seen that William Faulkner, in The Sound and the Fury, created Dilsey as perhaps the only major percentage to weather the storm that is the Compsons and along the way she would require many traits that are quite atypical for a mammy.
In often the same manner as Faulkner, Carson McCullers in her The Member of the Wedding, has veritable a powerful persona in Berenice. Though she appears to pantomime the part of mammy, Berenice, as both the proverbial devil and paragon on Frankies shoulder, contributes sage advice mixed with troubled experience. Though both Dilsey and Berenice are often said to be molded in the mammy design, both have characteristics that cross the boundaries typically vex by the institutionalized mammy myth. Also, it would seem that though both...
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