The Fairies are not introduced until the second act of the play tho there is a great deal of evidence inside the first diorama of Act two to suggest that they act with the mortal world.
During the time Shakespeare was writing people had superstitions just about the inborn world. plurality carried lucky charms, plants that were associated with conjury and precious stones to protect themselves from poisonous or bad luck. People saw a expire link between what happened in the natural world and what happened to them. People thought that fairies lived in their own kingdom. They thought that fairies were active from Midnight to dawn, they similarly thought that fairies could take any form and that they could change the weather.
The challenge is shifted to the woods in the first scene of act two, where the magic begins. Puck a shrewd and knavish sprite (Act 2, scene 1, line 33) and another fairy enter the woods where they cover the current meeting of their masters, Oberon, King of the Fairies and Titania, Queen of the fairies. The fairy now recognizes puck as Robin Goodfellow, puck responds with a incontrovertible answer telling of his omnipresence of lurking in a gossips paradiddle (Act 2, scene 1, line 46) and drifting through the night aspect for action.
The action he mentions most likely has some elaboration with the mortal world. An example of this is shown when he transforms Bottoms head into an ass head.
Puck is seen as a very devious, puckish fairy. He only seems to care about having fun and doing small, inappropriate favours. Puck seems to start the accidental events of fictitious amorous identity. Another fairy (previously mentioned) spots this and says, ...Robin Goodfellow. Are not you he, that frights the maidens of the villagery (Act 2,
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