The Quest for Nothing in Mary Shelleys Frankenstein Essay -- Frankens

A Quest for nobody in Shellys Frankenstein The last chapter of Mary Shellys Frankenstein concludes Victor Frankensteins search for the monster. His obsession with purpose the wretch leads him into the most desolate territories in the world, led on with clues odd by the monster itself. The motive for his quest goes beyond the desire for revenge, moreover is shaped over the primal need for Victor to reverse the nonpareil self. The monster, in which Victor placed his most intense hours of isolated contemplation, represents, if not the unconscious then at least an outlet and a office for the fulfillment of Victors dark repressed wishes. Victor therefore is bent on achieving the wholeness that was ravaged instantly and for always in the formative stages of his mental growth, specifically the mirror stage.(Reed 64) In the mirror stage, the spark of knowledge, which will lastly mark the splitting of the self, infuses the child at the moment when the child, still in state of dependen cy, identifies its comment in the mirror. The child is then left to the gentleness of the gigantic and fiendish realization that it may never again become unified with the ideal-I, or as Jacques Lacan names it, the Gestalt. The Gestalt represents the rigid structure of the subjects unblemished mental development, an ideal goal that cannot be obtained, and the subject will scarcely rejoin the coming-into-being of the subject asymptotically. This is to say that at the moment when the child views its reflection in the mirror, it is doomed by eternal distance from the exemplary self, the richly functioning and accessible mind, and can only hope to arrive immeasurably closer to becoming it. Lacan emphasizes that the subject must realize the impossibility of b... ...ts in nothing. Works Cited and ConsultedBloom, Harold. Mary Shellys Frankenstein. New York Chelsea, 1987.Botting, Fred. Making monstrous. Frankenstein, criticism, theory. Manchester University Press, 1991.Boyd, Stephen. York Notes on Mary Shelleys Frankenstein. Longman York Press, 1992.Garber, Frederick. The self-direction of the Self from Richardson to Huysmans. Princeton Princeton University Press, 1982.Mellor, Anne K. Mary Shelley. Her Life, her Fiction, her Monsters. Methuen. New York, London, 1988.Marcel, Anthony J. Conscious and Unconscious Perception. Cognitive psychological science 15 (1983) 197-237Reed, Kenneth T. A Freudian Note on Shelleys Frankenstein. Literature and psychology 19 (1969) 61-72.Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992