A heart of the two women

Rose Hsu Jordan, the daughter of An-mei Hsu, defines the line of work as one of too many choices: "so more than to think about, so much to decide. Each decision meant a turn in an other(a) direction" (214). Rose believes that the bod of choices and decisions an American woman must make constitutes a blot in the "American version" [of culture] (214), yet her mother would hold in an eye on that there was really besides one choice to make--to attend to one's mother (rather than to all those other people who are save too ready with their advice).

Rose's mother, An-mei Hsu, tells her that she doesn't have enough "wood," meaning that she demand to be more like a tree--to stand proud and listen to her mother standing next to her, rather than unendingly bending back and forth with the advice of others (213). She believes that she has given Rose a great gift. She has given her daughter the certain gift of experience, if only Rose will heed her advice. Characteristic of most late adults, however, Rose will make her own mistakes, before step by step realizing that she is more like her mother than she would ever dream imaginable.

An-mei bemoans the event that Rose had to swallow somewhat bitterness in the hang of her young marriage, despite some mistakes that An-mei could see coming. In the hobby passage, she also reveals some internalized sexism as the result of a Chinese culture which judged a woman's

I taught her how American circumstances work. If you are born poor here, it's no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry all over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha infra a tree letting pigeons drop their dirty care on your head. You can buy an umbrella. Or go intimate a Catholic church.

In America, nobody says you have to keep the circumstances somebody else gives you. (289)

The events of the mothers' lives in The Joy Luck indian lodge ultimately overshadow those of their daughters, even though the novel takes slur in the present. This is because Tan has been very effective in placing idiom on a mystic, healing, Chinese identity throughout the entireness of the novel.

Tan, Amy. The Joy Luck Club. New York: Ivy Books, 1989.

Waverly sees the contradictions in the supra aspects of eastern and western culture when her mother attempts to garner some of her chess-playing glory for herself. Her mother's behavior appears to be materialistic--selfish and boastful, out of sync with her mystical side. In fact, in coaching Waverly, she urges her daughter to "blow from the North, South, East, and West. The other person becomes confused. They don't know which way to run" (187).

suggesting a mother-daughter psychic, as well as physical, bond. The two will always be one, regardless of chance, circumstance, or American defiance to superstitious luck.

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